2016A シニア表象メディア論







9/28       イントロダクション:ジョン・バージャー『イメージ—視覚とメディア』伊藤俊治訳、ちくま学芸文庫、2013年(Berger, John. Ways of Seeing. Penguin Books, 1972.)


10/5       Nochlin, Linda. “Why Have There been No Great Women Artists?” Art News 69 (January 1971). 2015年に再掲されたこちらを使用: http://www.artnews.com/2015/05/30/why-have-there-been-no-great-women-artists/


10/12     グリセルダ・ポロック『視線と差異—フェミニズムで読む美術史』萩原弘子訳、新水社、1998年(Pollock, Griselda. Vision and Difference: Feminism, Femininity and the Histories of Art. Routledge. 1988.)


10/19     ローラ・マルヴィ「視覚的快楽と物語映画」斎藤綾子訳(Mulvey, Laura. “Visual Pleasure and Narrative Cinema”. Screen (1975) 16 (3): 6-18.) 『新映画理論集成① 歴史/人種/ジェンダー』岩本憲児、武田潔、斎藤綾子編、フィルムアート社、1998年、126-141ページ。


10/26     Doane, Mary Ann. “Film and the Masquerade: Theorizing the Female Spectator”. Amelia Jones ed. The Feminism and Visual Culture Reader. Second edition. Routledge, 2010. pp. 73-84. (Originally published in Screen 23:3-4.)


11/2        MacKinnon, Catharine A. Only Words. Harvard University Press, 1993. Chapter 1.


11/9        Dworkin, Andrea. “Against the Male Flood: Censorship, Pornography, and Equality”. Drusilla Cornell ed. Feminism and Pornography. Oxford University Press, 2000. pp. 19-38.


11/23     Duggan, Lisa and Hunter, Nan D. Sex Wars: Sexual Dissent and Political Culture (10th Anniversary Edition). Routledge, 2006. Chapter 3.


11/30     Rubin, Gayle. “Thinking Sex: Notes for a Radical Theory of the Politics of Sexuality”. Henry Abelove, Michèle Aina Barale, and David M. Halperin eds. The Lesbian and Gay Studies Reader. Routledge, 1993, pp.3-44. (Originally published in Carole S. Vance, ed., Pleasure and Danger: Exploring Female Sexuality, 1984.)


12/7       予備週(リーディングが予定通りなら、学期末レポートテーマ検討)




12/21     Butler, Judith. “The Force of Fantasy: Feminism, Mapplethorpe, and Discursive Excess.” differences 2.2 (1990): pp. 105-125.


1/11        Williams, Linda. Hard Core: Power, Pleasure, and the” Frenzy of the Visible”. Univ of California Press, 1989. Chapter 8.